|Kunst, Wissenschaft und Geschichte bei Nietzsche|
2003, 359 S, Gb, (Gruyter)
Drawing on historical and critical text studies, the author analyzes decisive factors of the relationship between art and science in Nietzsche's work. The idea of a "tragedy of knowing" as the culmination of aesthetic tragedy becomes the leitmotif of the proposed interpretation. Venturelli thereby also illuminates aspects of Nietzsche's special place in modern philosophical discourse.